Oliver Stone's mega-production Alexander spent tens of millions in an effort to recapture the actual career of Alexander the Great, with top actors like Collin Farrel, Anthony Hopkins, and Angelina Joilie. But because this was a realist endeavor, we immediately were bothered by the Transylvanian accent of Olympias, Stone's predictable brushing aside of facts, along with the distortions, and the inordinate attention given to Alexander's supposed proclivities. But the "300" dispenses with realism at the very beginning, and thus shoulders no such burdens.Thank you, George Sorel... myths don't have to be true so long as they are useful.
Tuesday, October 20, 2009
VDS on 300
Missed this review at the time, but it is pretty interesting in its defense of the film. ("Last Night at the 300" - at *shudder* National Review) Of course, he was involved in its making, but still he makes some good points about stylization. Matches my own sense that, despite the historical inaccuracies, it actually matches pretty well the mythic significance of the battle for Greek and later western culture. Of course, he has to take his shots at political rivals, and keep up his anti-gay biases. Also loved this part:
Labels:
300,
film,
film criticism,
Greeks,
historiography,
Hoplites,
myths
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2 comments:
Sorry for off topic, but 2012 is close, is this really matter?
thanks for post.This article translate for me, my friend Marko
greetings from Camp from Thailand
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